CompatibilityĪll the software I need to use “just works”. My Xeon Linux-based workstation suddenly feels old. This is why I think ARM is the future, even if it might take a decade for the mainstream cloud to migrate over. It also means longer battery cycles for non-cloud use-cases (less waste, more bang for the buck). A number of fast-growing tech giants (besides Apple) are pouring a ton of money into making ARM work for a ton of use-cases: Nvidia (trying to buy ARM Holdings from SoftBank) and Amazon (deep investment in the new Graviton processors) are the two that primarily come to mind.Īs you might know, in processors low energy consumption (and low heat dissipation) often equates to the ability to scale processing efficiently for large workloads. It’s a pretty amazing piece of engineering, and in many ways, I think that the ARM architecture is the future. The typical first reaction that you get when using this is “it runs my Docker stack without sounding like a plane taking off?”.
Spotify for mac silicon pro#
Special thanks to Kristin Lin, Kristina Samulewski and Jesse Bordwin.So I’ve been using my new M1-based MacBook Pro for a couple of months for a mix of development, email, and other things an open-source maintainer does day-to-day. Fact-checking by Michelle Harris and Mary Marge Locker. “The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma. Thoughts? Guest suggestions? Email us at can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at /ezra-klein-podcast, and you can find Ezra on Twitter Book recommendations from all our guests are listed at. The Death and Life of Great American Cities by Jane Jacobs Jemisin interview on Vox’s "The Gray Area with Sean Illing" We discuss why multiverse fictions like “Everything Everywhere All at Once” are so popular now, how the culture and politics of New York and San Francisco have homogenized drastically in recent decades, Jemisin’s views on why a coalition of Black and Latinx voters elected a former cop as New York’s mayor, how gentrification causes change that we may not at first recognize, where to draw the line between imposing order and celebrating the disorder of cities, how Donald Trump kept stealing Jemisin’s ideas but is at the root a “badly written character,” whether we should hold people accountable for their choices or acknowledge the way the status quo shapes our decision-making, what excites Jemisin about recent discoveries about outer space, why she thinks we are all “made of exploding stars” and more.
I invited Jemisin on the show to help me take stock of the political and cultural ferment behind these distressing conditions - and also to remember the magical qualities of cities, systems and human nature. The series, in addition to being a rollicking read, is essentially a meditation on cities: how they come into being, how their very souls get threatened by forces like systemic racism and astronomical inequality and how their energies and cultures have the power to rescue and save those souls. Jemisin’s latest series, which includes “The City We Became”_ _and “The World We Make,” takes place in a recognizable version of New York City - the texture of its streets, the distinct character of its five boroughs - that’s also gripped by strange, magical forces. In her fiction, Jemisin crafts worlds that resemble ours but get disrupted by major shocks: ecological disasters, invasions by strange, tentacled creatures and more - all of which operate as thought experiments that can help us think through how human beings could and should respond to similar calamities.
But in imagining wild fictional narratives, the beloved sci-fi and fantasy writer has also cultivated a remarkable view of our all-too-real world. Jemisin is a fantasy and science-fiction writer who won three consecutive Hugo Awards - considered the highest honor in science-fiction writing - for her “Broken Earth” trilogy she has since won two more Hugos, as well as other awards.
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